"... Sandra Jovanović discovers her actual asylum in the symbol of the mountain as a primary cosmological image of spirit, inteligence, hidden secrets as well as causality. ( Let us now remind ourselves on the mountain, with its deep silence governing, we ascend to reach the life above, together with immortality conquerring our own being ). This artist paints oniric, archetypical areas, of exceptionaly complexed register of lights and shadows. On those areas she explores the mystical constelation between landscapes, magical human appearance as well as time. The man, on Sandra`s paintings, is a dark traveller throughout the worlds, through the dreamy and foggy lyricism of erotic fever. Melancholy, which is spiritual, lights up these paintings with such joy, as they are built on the mysterious laws of esoteric symbolism. On Sandra`s paintings there is also some vaque memory of psychological style of the sixties. On these canvases, on which deep ultramarine dominates together with bishop-purple, sunny-ocher and reddish skies of lust, some mysterious, metaphysical fluid reverents it all. An observer of the sensitive spiritual and also one of the religious structure, imperceptibly gets drawn into depths of Sandra`s mystical sights and mysterious abysses... " - critical review.